7.2/10
24,497
227 user 248 critic

If Beale Street Could Talk (2018)

Trailer
1:01 | Trailer
A young woman embraces her pregnancy while she and her family set out to prove her childhood friend and lover innocent of a crime he didn't commit.

Director:

Barry Jenkins

Writers:

Barry Jenkins (written for the screen by), James Baldwin (based on the book by)
Reviews
Popularity
758 ( 113)
Won 1 Oscar. Another 88 wins & 161 nominations. See more awards »

Videos

Photos

Learn more

More Like This 

The Favourite (2018)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.

Director: Yorgos Lanthimos
Stars: Olivia Colman, Emma Stone, Rachel Weisz
Vice I (2018)
Biography | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.

Director: Adam McKay
Stars: Christian Bale, Amy Adams, Steve Carell
Roma (2018)
Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A year in the life of a middle-class family's maid in Mexico City in the early 1970s.

Director: Alfonso Cuarón
Stars: Yalitza Aparicio, Marina de Tavira, Diego Cortina Autrey
First Man (2018)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.

Director: Damien Chazelle
Stars: Ryan Gosling, Claire Foy, Jason Clarke
Biography | Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

When Lee Israel falls out of step with current tastes, she turns her art form to deception.

Director: Marielle Heller
Stars: Melissa McCarthy, Richard E. Grant, Dolly Wells
Biography | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.

Director: Spike Lee
Stars: John David Washington, Adam Driver, Laura Harrier
Green Book (2018)
Biography | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

A working-class Italian-American bouncer becomes the driver of an African-American classical pianist on a tour of venues through the 1960s American South.

Director: Peter Farrelly
Stars: Viggo Mortensen, Mahershala Ali, Linda Cardellini
Cold War (2018)
Drama | Music | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

In the 1950s, a music director falls in love with a singer and tries to persuade her to flee communist Poland for France.

Director: Pawel Pawlikowski
Stars: Joanna Kulig, Tomasz Kot, Borys Szyc
Moonlight I (2016)
Drama
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A chronicle of the childhood, adolescence and burgeoning adulthood of a young, African-American, gay man growing up in a rough neighborhood of Miami.

Director: Barry Jenkins
Stars: Mahershala Ali, Naomie Harris, Trevante Rhodes
Biography | Drama | Music
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

The story of the legendary rock band Queen and lead singer Freddie Mercury, leading up to their famous performance at Live Aid (1985).

Director: Bryan Singer
Stars: Rami Malek, Lucy Boynton, Gwilym Lee
Biography | Drama
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

Director: Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac
Adventure | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.

Director: Guillermo del Toro
Stars: Sally Hawkins, Octavia Spencer, Michael Shannon
Edit

Cast

Cast overview, first billed only:
KiKi Layne ... Tish Rivers
Stephan James ... Alonzo 'Fonny' Hunt
Regina King ... Sharon Rivers
Teyonah Parris ... Ernestine Rivers
Colman Domingo ... Joseph Rivers
Ethan Barrett Ethan Barrett ... Young Fonny
Milanni Mines Milanni Mines ... Young Tish
Ebony Obsidian ... Adrienne Hunt
Dominique Thorne Dominique Thorne ... Sheila Hunt
Michael Beach ... Frank Hunt
Aunjanue Ellis ... Mrs. Hunt
Diego Luna ... Pedrocito
Ed Skrein ... Officer Bell
Emily Rios ... Victoria Rogers
Pedro Pascal ... Pietro Alvarez
Edit

Storyline

African-American teen sweethearts Fonny and Tish are ripped apart when Fonny is wrongly arrested for the rape of a Puerto Rican woman because of the machinations of a racist cop. While seeking justice for Fonny, a pregnant Tish relies on her Harlem community, including her sister, mother Sharon and future mother-in-law.

Plot Summary | Plot Synopsis

Taglines:

Trust Love All the Way

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English | Spanish

Release Date:

25 December 2018 (USA) See more »

Also Known As:

If Beale Street Could Talk See more »

Filming Locations:

New York City, New York, USA See more »

Edit

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend USA:

$224,476, 16 December 2018, Limited Release

Gross USA:

$14,915,773, 11 April 2019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.00 : 1
See full technical specs »
Edit

Did You Know?

Trivia

The first trailer was released on August 2, 2018, which would have been the 94th birthday of novelist James Baldwin. See more »

Goofs

When Tish is waiting on a subway platform where the 1960s-style enamel column plates say that the station is 135th St (probably on the 8th Ave line rather than on the Lenox Ave line). However, the mosaic on the wall above the tracks features a capital 'B' -- suggesting that filming may have taken place in the now-closed-off part of the Bowery station on the Nassau St line. See more »

Quotes

[first lines]
Tish Rivers: You ready for this?
Fonny: I've never been more ready for anything in my whole life.
See more »

Connections

Featured in 76th Golden Globe Awards (2019) See more »

Soundtracks

The Lady
Written and performed by Webster Young
Courtesy of Concord Music
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Beautifully shot, but emotionally languid
4 March 2019 | by BertautSee all my reviews

Based on James Baldwin's 1974 novel of the same name, If Beale Street Could Talk is really two stories in one; there's the love story at the narrative's core, giving the film much of its tonal qualities, and on the surface, there's a socio-political protest, which provides most of the main plot points. At a quick glance, this should be a masterpiece - there's the foundation of James Baldwin, arguably the most significant African-American author of all time, and this is the first English-language adaptation of one of his novels; there's writer/director Barry Jenkins, fresh off the Oscar-winning Moonlight (2016); there's a theme that is (sadly) almost as pertinent now as it was in 1974; there's James Laxton's extraordinarily vibrant cinematography; there's a bevvy of hugely talented actors; there's Nicholas Britell's absorbing and melancholy score. This should have been a home run. However, although I found it aesthetically faultless, much like Moonlight, I felt the totality was considerably less than the sum of its exceptional parts. The biggest problem is the somnolent love story. Employing a Terrence Malick-esque esoteric voiceover, Jenkins lifts entire passages directly from Baldwin. However, what reads beautifully in the novel is badly out of place in the film, even in voiceover, and has the effect of rendering the two central characters completely unrealistic, with their love for one another idealised to such an extent as to become ridiculous.

New York, 1974; 19-year old Clementine "Tish" Rivers (KiKi Layne) and 22-year old Alonzo "Fonny" Hunt (Stephan James), who have known one another since they were children, have fallen in love, and are planning to get married and raise a family. Fonny has quit his job working for a furniture manufacturer, hoping instead to make it as a sculptor. However, when he is accused of rape, the victim mistakenly identifies him in a line-up, and he is charged and detained. Awaiting his trial, Tish visits him in jail, telling him she is pregnant. Ecstatic at the news, Fonny says he can't be in prison when the baby is born, and so Tish and her family determine to do anything it takes to get him out as soon as possible. With this as the central framework, the story is told in a non-linear style, jumping back and forth from one time period to another, which has an important thematic effect that I'll discuss below.

Aesthetically, much like Moonlight, If Beale Street Could Talk looks amazing. From Laxton's vibrant cinematography to Caroline Eselin's colour coordinated costume design (just look at all the yellow in the opening scene - in both the photography and the wardrobe), everything we see rings true, like a Jack Garofalo photograph come to life. Even more visually lyrical than Moonlight, the saturated colour palette of Beale Street recalls Douglas Sirk's Technicolour-soaked melodramas. Jenkins has been very open about his admiration for filmmakers such as Sirk, Claire Denis, and Hsiao-Hsien Hou. However, he is most clearly indebted to Kar-Wai Wong; seen in Beale Street's non-linear narrative and relatively slight plot, its poetic tone, the centrality of music, and its tendency to use visuals rather than dialogue to convey thematic points (although Jenkins is nowhere near as formally experimental as Wong).

As in both Medicine for Melancholy (2008) and Moonlight, Jenkins occasionally has characters speak directly to camera. They're not breaking the fourth wall, however. Such scenes are dialogue scenes, with two characters speaking to one another, so when one speaks directly to camera, it's as if the camera is between the two of them. It's a technique that was used most famously (and effectively) in The Silence of the Lambs (1991), where each character looked directly into camera when speaking to Clarisse Starling (Jodie Foster), whereas she always looked just slightly off-camera, setting up a fascinating visual contrast which encourages us to identify with her. Beale Street doesn't do anything as interesting or subtle with the technique, but Jenkins's tendency to use it during moments of heightened emotion does have the effect of suturing the audience into the milieu of the film.

As mentioned above, the use of a non-linear narrative structure has an important thematic effect. We know from the second scene that Fonny is in jail, meaning that as we watch Tish and Fonny planning their future, renting an apartment, having sex for the first time etc, there's a permanent shadow over everything we see; we know that things go wrong, because we know much more than the characters do. For the most part, this contributes to the tone of the film, thus justifying itself. However, Jenkins overuses the technique. I understand why the film is told out of sequence, but I don't understand why it's told out of sequence to such an extent. Compare this with Sean Penn's The Pledge (2001). For the most part, it's a linear narrative, except that the first scene shows us the protagonist, Jerry Black (Jack Nicholson) as a broken-down alcoholic. The rest of the film takes place prior to this scene, so when we see Nicholson fall in love with Lori (Robin Wright) and spend a blissful Christmas with her and her daughter, we know that something terrible is coming, knowledge that casts a shadow over the entire film. Penn accomplishes this with a single scene, right at the start of the film. Beale Street, on the other hand, jumps all over the place, never settling into a standardised rhythm, with the cumulative effect becoming one of distraction rather than immersion.

Which brings me to the film's most significant problem - the love story at its centre just didn't work for me. This is partly because of the emotional distance Jenkins maintains, but it's primarily because Fonny and Tish don't seem like real people, not in the way they gaze into one another's eyes as if they are seeing each other for the first time, not in the way they speak to one another as if every syllable is of earth-shattering portentousness. They rarely speak normally; instead, they adopt the eloquence of James Baldwin. In lifting sections directly from the novel, Jenkins has failed to consider the differing demands of the medium - what works on the page, doesn't necessarily work on the screen, and the reproduction of Baldwin's rich and lugubrious prose is simply unrealistic, with the delivery sounding stilted and awkward, and, most egregiously, far beyond the lexicon of the characters. This is especially apparent in Tish, whose expressive voiceover is far beyond anything we see of her character in the film itself.

In this sense, they don't come across as people with their own interiority and psychological verisimilitude, instead functioning as cogs in the machinations of Jenkins's thematic concerns. Tish, in particular, feels like a cypher, because of her dual role as a young girl trying to get her man out of jail, and a sage-like observer of institutionalised racism. Fonny too has an important dual role - that of a young man falsely imprisoned, and that of a tragic figure standing in for the millions of African-Americans unjustly imprisoned throughout history. Jenkins doubles down on this point by intercutting the film with black-and-white photographs of Henry Smith, Jesse Washington, Will Brown, Emmett Till, and the Freedom Summer Murders. The point is clear; Fonny is a grand representative of the crimes committed against Africa-Americans in the US. However, his character never attains the kind of grandeur such a representative must, by definition, possess.

Another problem concerns the depiction of Bell (Ed Skrein), the racist cop who frames Fonny. Played as a leering pantomime villain, with bad hair, bad teeth, and bad skin, he's obviously a metaphor for the ugliness of racism, but he's so completely over the top, it rips you right out of the film. On the other hand, Regina King's portrayal of Tish's mother, Sharon, is exceptional. If you really want to see what an acting powerhouse King can be, she's never been better than she was in the second season of The Leftovers (2014), and she brings much of the silent depth with which she portrayed Erika Murphy in that show to Beale Street. The scene where she heads to Puerto Rico to try to persuade the rape victim, Victoria Rogers (Emily Rios), that Fonny didn't rape her is one of the most harrowing things you'll see on screen all year, with King conveying her emotional state primarily by her facial gestures.

Beale Street is an undeniably beautiful film that depicts the love between two astonishingly attractive people (it's worth noting that in the novel, Fonny's unattractiveness is emphasised). Jenkins's interpretation turns Fonny and Tish into a Ken and Barbie-esque couple, undermining Baldwin's depiction of them as existing in a realistic milieu. Taking a meditative approach to the material, Jenkins's adaptation never rings true. Whereas Baldwin's Tish and Fonny are flawed, contradictory, and relatable, Jenkins's protagonists are too-perfect-to-be-real, with every agonisingly serious pronouncement they make to one another pushing them further and further away from connecting with the audience on an emotional level.


40 of 59 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 227 user reviews »

Contribute to This Page

Stream Trending Movies With Prime Video

Enjoy a night in with these popular movies available to stream now with Prime Video.

Start your free trial



Recently Viewed