As Scott Lang balances being both a Super Hero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past.
The drug war on the U.S.-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.
Benicio Del Toro,
Set in the near-future, technology controls nearly all aspects of life. But when Grey, a self-identified technophobe, has his world turned upside down, his only hope for revenge is an experimental computer chip implant called Stem.
America's third political party, the New Founding Fathers of America, comes to power and conducts an experiment: no laws for 12 hours on Staten Island. No one has to stay on the island, but $5,000 is given to anyone who does.
A woman known as The Nurse (Jodie Foster) runs a high-security, members-only hospital for high-rolling criminals in Los Angeles. When a bank robber (Sterling K. Brown) brings his injured teammates along with $18 million in jewels there, both mob boss Wolf King (Jeff Goldblum) and the police follow. With the hospital under siege, The Nurse, her orderly (Dave Bautista) and her other criminal patients have to defend themselves.
To promote the film, Global Road Entertainment released a set of character posters, each featuring an homage to a famous literary or film reference from Los Angeles, such as Sterling K. Brown merged into the book cover for Raymond Chandler's novel The Long Goodbye and Charlie Day merged into the film poster for American Gigolo. See more »
During surgery, the Nurse refer to a "bicep." A trained medical professional would know that the correct word is "biceps"--singular as well as plural. See more »
Greetings again from the darkness. The feature film directorial debut of Drew Pearce is original and clever, while teasing with hope for a bit more than it delivers. Mr. Pearce is best known for writing the screenplay for IRON MAN 3, and now as a first time director, he shows enough promise to leave us interested in what comes next.
The film is set in dystopian Los Angeles a mere 10 years in the future. The streets are flooded with desperate rioters after a mega-corporation shuts off the clean water supply. The company is the film's real villain, and the only one that The Nurse (Jodie Foster) can't treat. See, she runs Hotel Artemis, an underground hospital for top tier criminals - the element that can't just pop into the local community clinic for treatment on the latest bullet hole or knife wound. These patients follow a subscription plan and must stay current on their dues to gain admission.
The Nurse forgoes any attempt at personal vanity and is instead an agoraphobic, booze-chugging, (mostly) stick-to-the-rules type, who pops in anti-anxiety tapes and ear buds whenever her pulse quickens. She has run the place since it opened 22 years prior and is assisted by a mountain of man named Everest (get it?) played well by Dave Bautista. He's a combination bodyguard, bouncer, handyman and assistant healthcare professional (check his badge).
The set design by Ramsey Avery deserves special mention as the Hotel Artemis is quietly housed in the shell of a former grand art deco hotel, now a victim to the city's carnage - though the neon sign remains illuminated. Its vacation spot-themed rooms are a sight to behold, despite the frustratingly low lighting. Occupants are incognito and use their room names as identifiers. Sterling K Brown is Waikiki, a philosophical bank robber who dragged his brother Honolulu (Brian Tyree Henry) here for treatment after a heist went wrong. Acapulco (the always energetic Charlie Day) is a crass, motor-mouthed arms dealer, while Nice (Sofia Boutella, THE MUMMY) is a freakishly skilled assassin.
The stress level picks up when the biggest crime lord of Los Angeles shows up seriously wounded. Known as The Wolf King, an admittedly bad choice for a nickname, Jeff Goldblum brings some smooth-talking toughness, humor and twisted class to the proceedings. More than a few tentacles are attached to The Wolf King and other folks we've previously met, not the least of which is a very special ink pen stolen by Honolulu. Mix in an injured cop (Jenny Slate) with a personal link to The Nurse and her constantly alluded to tragic backstory, and the movie puts off a Graphic novel vibe ... missing only the off-the-cuff insanity. It's just a bit too grounded for its own good.
The high tech/low rent feel forces us to recall BLADE RUNNER AND ESCAPE FROM NEW YORK, but of course, this film isn't at the level of either, as it lacks top tier suspense. It is a terrific reminder of what a talented actress two-time Oscar winner Jodie Foster is, and what a shame that we haven't seen her in such a substantial screen role since 2013's ELYSIUM. She really sinks her teeth into this odd character, and more than the action scenes, she keeps us interested the entire run time. The score is a bit too heavy on the droning electronic bass line, and while the Florida joke and nod to John Phillips (The Wolf King, "California Dreamin'") earns some bonus points, it's really the performance of Ms. Foster and the set design that saves a too-safe script.
42 of 68 people found this review helpful.
Was this review helpful to you?
| Report this