In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
Kristin Scott Thomas
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award nominee Martin McDonagh (In Bruges). After months have passed without a culprit in her daughter's murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town's revered chief of police. When his second-in-command Officer Dixon (Academy Award winner Sam Rockwell), an immature mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement is only exacerbated.Written by
Fox Searchlight Pictures
A white rabbit always appears in all of Martin McDonagh's films in some form. Even his short film Six Shooter (2004). Not sure of the meaning, but fun Easter egg to hunt. See more »
At the beginning of the movie, when the mother is driving by the billboards, and then backing up, and then going forward again, the head above the driver's headrest changes height from where the actual actress' head reaches - driving double. See more »
[walking into his office]
You Red Welby?
Yes, ma'am. How may I help you?
I heard there's three billboards out on Drinkwater Road. You're in charge of renting them out, that right?
I didn't know we had any billboards out on Drinkwater. Where is Drinkwater Road?
It's a road out past the Sizemore turn-off. Nobody uses it since the freeway got put in.
You are right. Got three billboards out there. Nobody's put nothing up out there since 1986. That was 'Huggies'.
How much to rent out all...
[...] See more »
This movie I went into almost blind, but I came out of the theater with it probably being my favorite film in the last year. This film is so smart at being able to keep you at the edge of your seat from simple things that they plug into the film. Heartbreaking and tense situations in the first half of the film come back in some shape or form that leave you questioning what is going to happen. There was genuinely no predicting what the characters were going to do and how they would react to certain events. This unpredictability doesn't just apply to situations, but possibly more notable in character arcs. Without giving to much away, there is a character in this film that does everything possible for you to hate them in the first half, and by the end of the film you are rooting for said character. There's times where the characters that you cared for are becoming real and dis-likable in certain scenes, but to the point of more so being genuinely worried about how their choices will affect them.
Every actor in this film did so tremendous as well. I really can't think of an actor or actress that outshines the rest. But if I had to pick favorites, Frances McDormand and Sam Rockwell were just that. But a lot of that just has to go into the writing of the characters themselves. The cinematography in this film allows the actors to take advantage of facial expression. There's a scene relatively early in the film that is mostly sitting and staring but the actors have such convincing movements and gestures, it goes to a point where you don't need dialogue to tell what they are feeling and what they are thinking about.
Really the only issue I have in this film is some scenes felt a little unnecessary. Can't give away too much without spoiling, but in a film where every character goes through in arc, there's one character that is just there to break tension and crack personally unfunny jokes. But this character did not affect my score and they were barely in the film.
I highly recommend checking this out.
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