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Baby Driver (2017)

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2:20 | Trailer

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Airs Mon. Aug. 20, 5:15 PM on SHOW

After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.

Director:

Edgar Wright

Writer:

Edgar Wright
Reviews
Popularity
109 ( 10)

Gear Up for 'Baby Driver' With Edgar Wright

Baby Driver writer and director Edgar Wright shares easter eggs from the movie and his favorite heists.

Nominated for 3 Oscars. Another 37 wins & 56 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ansel Elgort ... Baby
Jon Bernthal ... Griff
Jon Hamm ... Buddy
Eiza González ... Darling
Micah Howard ... Barista
Lily James ... Debora
Morgan Brown ... Street Preacher
Kevin Spacey ... Doc
Morse Diggs Morse Diggs ... Morse Diggs
CJ Jones ... Joseph
Sky Ferreira ... Baby's Mom
Lance Palmer Lance Palmer ... Baby's Dad
Hudson Meek ... Young Baby
Viviana Chavez ... Diner Waitress
Hal Whiteside ... Cook
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Storyline

Baby is a young and partially hearing impaired getaway driver who can make any wild move while in motion with the right track playing. It's a critical talent he needs to survive his indentured servitude to the crime boss, Doc, who values his role in his meticulously planned robberies. However, just when Baby thinks he is finally free and clear to have his own life with his new girlfriend, Debora, Doc coerces him back for another job. Now saddled with a crew of thugs too violently unstable to keep to Doc's plans, Baby finds himself and everything he cares for in terrible danger. To survive and escape the coming maelstrom, it will take all of Baby's skill, wits and daring, but even on the best track, can he make it when life is forcing him to face the music? Written by Kenneth Chisholm ([email protected])

Plot Summary | Plot Synopsis

Taglines:

This summer, the only way to get out is to getaway. See more »


Certificate:

14A | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

UK | USA

Release Date:

28 June 2017 (Canada) See more »

Also Known As:

Baby Driver See more »

Filming Locations:

New Orleans, Louisiana, USA See more »

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Box Office

Budget:

$34,000,000 (estimated)

Opening Weekend USA:

$20,553,320, 2 July 2017, Wide Release

Gross USA:

$107,825,862, 19 October 2017

Cumulative Worldwide Gross:

$175,089,495, 20 August 2017
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color | Black and White (some shots)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

All of the driving scenes were accomplished without the aid of visual effects or CGI. See more »

Goofs

The camera crane is reflected in some shots of the second chase, especially when the gang vacate their vehicle in the middle of traffic. See more »

Quotes

Armie: We've met before, right?
Bats: I dunno. You still alive, right?
Armie: Uh-huh.
Bats: Then I guess we ain't never met.
See more »

Crazy Credits

The "ding" in the opening Sony logo turns into the sound of Baby's tinnitus. See more »

Connections

References The Driver (1978) See more »

Soundtracks

Every Little Bit Hurts
(Ed Cobb)
Performed by Brenda Holloway
Courtesy of The Motown Record Company LP
Under licence from Universal Music Operations Ltd
See more »

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User Reviews

 
Well Executed but Boring
10 July 2017 | by CachoSee all my reviews

The execution and quality of the film making was great, but overall I quickly got bored watching this movie as none of the character's motivations seemed realistic or made sense to me. The action sequences were great, but didn't do anything especially unique or carry any suspenseful weight with the plot that I found myself yawning during much of it. Perhaps it needed more shocking gore.

The movie seemed to be a bit confused in its tone, mixing stylized violence with comedy and serious heist elements. It was set in a realistic world, but the characters and their motivations were not. It felt like it was trying to rekindle the essence of a Tarantino cool bad guy heist film like Reservoir Dogs and Pulp Fiction, but missed the mark. I found myself not believing the heist scenarios enough or having enough of a stake in them. It needed a stronger overall macguffin.

The use of Music was unique, but I would've have got more out of it if more obscure music was used, like what the GTA video game series does curating amazing forgotten B-side gems from famous artists.

I felt like Jamie Foxx's acting talent was a bit wasted, and the bland Atlanta backdrop seemed like a production budget restraint. I wonder what city was written in the original script? I doubt anyone writes for Atlanta. Rather than transporting us to a cool city that feels lived in and feels like a real location, this just felt like a boring block of downtown brick buildings to shoot car chases and shootouts in.

I love most of Edgar Wright's other films, so I'm not sure why this was so boring for me. It just didn't do anything new for me and will probably be forgotten from my film memory years from now.


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