Stephanie is a single mother with a parenting vlog who befriends Emily, a secretive upper-class woman who has a child at the same elementary school. When Emily goes missing, Stephanie takes it upon herself to investigate.
Beca, a freshman at Barden University, is cajoled into joining The Bellas, her school's all-girls singing group. Injecting some much needed energy into their repertoire, The Bellas take on their male rivals in a campus competition.
The story follows Rachel Chu (Wu), an American-born Chinese economics professor, who travels to her boyfriend Nick's (Golding) hometown of Singapore for his best friend's wedding. Before long, his secret is out: Nick is from a family that is impossibly wealthy, he's perhaps the most eligible bachelor in Asia, and every single woman in his ultra-rarefied social class is incredibly jealous of Rachel and wants to bring her down.Written by
The German subsidiary of Warner Bros. was criticized (for example by newspapers "Die Zeit" and "Stern") for the way the film was distributed. Some examples included removing the word "Asians" from the title, modifying the film poster to a more generic, non-asian design and having almost no trailers or TV spots running. In metropolitan areas like Berlin, Munich and Cologne; only few cinemas had shown this film. See more »
When Astrid brings her husband dinner and then checks his phone, her wedding ring jumps from her middle finger to her ring finger. Middle finger during the interaction with the husband and ring finger while working with the phone. See more »
Peik Lin Goh:
She just think you're some like unrefined banana. Yellow on the outside, and white on the inside.
See more »
There's a mid-credit scene in which Astrid exchanges glances with a man. See more »
In Australia; the film was passed uncut with an M rating for coarse language. The filmmakers then opted to reduce the language in the film in order to obtain a PG classification. See more »
Hold On Together
Written by Enric Bosser and Koko-Jean Davis (as Koko Jean Davis)
Performed by The Excitements featuring Koko-Jean Davis (as Koko Jean Davis), Albert Cariteu, Adrià Gual, Daniel Segura, Nicolás Rodríguez-Jáuregui, Jordi Blanch and José Luis Garrido
Courtesy of Penniman Records See more »
As I was going to the movies the other night to see BlackkKlansman, a woman stopped me. She was an Asian woman. She looked at me sheepishly and said, "Pardon me, I've never been to the movies before. Would you help me buy my ticket?" I assisted her on the machine. She was so grateful, smiled, and shook my hand as she walked into her showing of Crazy Rich Asians. This is why minority representation in Hollywood is important.
Crazy Rich Asians tells the classic Cinderella story and takes it to modern times. Boy meets girl, girl falls in love with boy, boy turns out to be rich as hell. The film indulges in all of the luxuries from Kevin Kwan's novel, on which the film is adapted. There's the first class flights, the expensive weddings, and other various obvious showings of that great Asian wealth that Yeung family has procured. The real twist here is that the film features the first all Asian cast in a Hollywood film in over 25 years.
Crazy Rich Asians opens brilliantly with the perfect middle finger to all of the racism and backlash it has received. A racist hotel manager refuses to believe that the Yeung family has enough money to stay in the hotel. It shows the family scared, all huddle in the phone booth outside as rain falls upon them. When the family returns, entirely drenched, they are now the owners and proprietors of the hotel, as Eleanor Young (Micheel Yeoh) smiles to the audience. It is the perfect opening to a film that takes on such a difficult yet amazing task of inclusion and diversity.
The film has its moments of absolute brilliance as previously mentioned. Seeing Asian culture and sensibilities portrayed in such an honorable and non-stereotypical way is refreshing. However, the film failed to escape from the classic romantic comedy tropes that we have seen time and times again as viewers. The leading lady is pretty, but not gorgeous. She is insecure about how she presents to her boyfriend, who is ungodly attractive and has been with tons of beautiful, yet interpersonally unappealing women. He finds the one he wants, despite their differences in social class and standing. All along the way, the girl is increasing her external beauty, as a total loss of complete feminism. This tells the female viewer that if you aren't wearing the right clothes, and look the part, you have no success at love. All along the way, the oddball, yet humorous and encouraging friend steals every scene as the far more interesting and in-depth character. This isn't to say that Awkwafina isn't absolutely brilliant at her role, and doesn't have one of the brightest young futures of anyone in show business, but it feels overplayed.
The madcap insanity of this movie, followed by its basic poignancy is something to be appreciated. The film has been a smash hit at the box office, proving that diversity really does sell. Pay attention, Hollywood! Overall, Crazy Rich Asians is an enjoyable movie, but no great feat to write home about.
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Get to know the fractured films of Yorgos Lanthimos, director of Oscar-nominee The Favourite. And join us here for the IMDb LIVE at the Elton John AIDS Foundation Academy Awards Viewing Party, streaming at 7:30 p.m. EST/4:30 p.m. PST on Sunday, Feb. 24.