A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
Linguistics professor Louise Banks leads an elite team of investigators when gigantic spaceships touchdown in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extraterrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.Written by
In the Italian edition of the movie, Abbott and Costello are called Tom and Jerry and the band who had a success in the Eighties in each of the ships' landing sites is Pink Floyd instead of Sheena Easton: these changes were made because both Abbott and Costello and Sheena Easton are not well-known icons in Italian culture. See more »
The language displayed for shots of Pakistan and Pakistani news channel are in Arabic. Whereas the main and dominant literary languages used in Pakistan are Urdu and English. Arabic is spoken by barely 1% of the population and is never used in news channels. See more »
I used to think this was the beginning of your story. Memory is a strange thing. It doesn't work like I thought it did. We are so bound by time, by its order.
[coddling her baby girl]
Okay. Okay. Come back to me. Come back to me. Come back to me.
[later playing with her in the yard]
Stick 'em up! Are you the sheriff in this here town? These are my tickle guns, and I'm gonna getcha!
You want me to chase you? You better run!
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During the end credits Anana Rydvald is credited as Swedish Scientist rather than Danish Scientist. Sweden and Denmark are neighboring countries. See more »
ARRIVAL delivers on so many levels it's impossible to describe without spoilers. The book is out there, so if you really must know before you see a film, read, "The Story of Your Life" by Ted Chiang...but I highly recommend you see the movie first. Honestly. You want it to unfold as a warm, fresh croissant on a chilly morning, and melt in your mouth.
From visually stimulating scenes to an unexpected score masterfully composed by Jóhann Jóhannsson you recognize at once this is a thinking film you'll long remember.
One scene in particular features a cloud that took my breath away. Sure, the extraterrestrial vehicle was amazing, but that cloud... As a photojournalist of nearly fifty years, I was stunned at the lifelike character of the cloud and suspected it was real, though I knew that was impossible; you can't cue Mother Nature when it's time to roll. I wanted to praise the CGI team for the effect, but Shawn Levy confirmed it was natural. They had set up to shoot this wide shot, worried about impending rain, or too much wind, or the lighting being too dark for the right effect, but the cloud wanted to become a star that day, and it rolled into frame with absolute perfection. This scene alone is worth a nod to Bradford Young for best cinematography.
The special effects team delivered, too.
Amy Adams performance was stunning. Sci-fi is largely disregarded when awards are passed out, but if the Academy neglects to acknowledge Adams work in this film, I may boycott them forever. Adams is Oscar-worthy for a Best Actress nomination for her character of linguist Dr. Louise Banks in this one, though Meryl Streep will most likely take it for Florence Foster Jenkins.
It is clear the five years taken to bring this story to the screen were well worth the work.
Ten well-deserved stars for ARRIVAL. I wish it a huge success at the box office so this team will continue to make more films of this caliber.
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