Linguistics professor Louise Banks leads an elite team of investigators when gigantic spaceships touchdown in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extraterrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.Written by
The shots inside the university (in class and when she walks through a cafeteria) were filmed at HEC Montréal University, at the Decelles building. See more »
Louise uses a satellite phone indoors. Satellite phones need either a direct line of sight to the satellites, or an external antenna. See more »
I used to think this was the beginning of your story. Memory is a strange thing. It doesn't work like I thought it did. We are so bound by time, by its order.
[coddling her baby girl]
Okay. Okay. Come back to me. Come back to me. Come back to me.
[later playing with her in the yard]
Stick 'em up! Are you the sheriff in this here town? These are my tickle guns, and I'm gonna getcha!
You want me to chase you? You better run!
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After credits have finished, there is a short documentary on the making of Arrival. See more »
ARRIVAL delivers on so many levels it's impossible to describe without spoilers. The book is out there, so if you really must know before you see a film, read, "The Story of Your Life" by Ted Chiang...but I highly recommend you see the movie first. Honestly. You want it to unfold as a warm, fresh croissant on a chilly morning, and melt in your mouth.
From visually stimulating scenes to an unexpected score masterfully composed by Jóhann Jóhannsson you recognize at once this is a thinking film you'll long remember.
One scene in particular features a cloud that took my breath away. Sure, the extraterrestrial vehicle was amazing, but that cloud... As a photojournalist of nearly fifty years, I was stunned at the lifelike character of the cloud and suspected it was real, though I knew that was impossible; you can't cue Mother Nature when it's time to roll. I wanted to praise the CGI team for the effect, but Shawn Levy confirmed it was natural. They had set up to shoot this wide shot, worried about impending rain, or too much wind, or the lighting being too dark for the right effect, but the cloud wanted to become a star that day, and it rolled into frame with absolute perfection. This scene alone is worth a nod to Bradford Young for best cinematography.
The special effects team delivered, too.
Amy Adams performance was stunning. Sci-fi is largely disregarded when awards are passed out, but if the Academy neglects to acknowledge Adams work in this film, I may boycott them forever. Adams is Oscar-worthy for a Best Actress nomination for her character of linguist Dr. Louise Banks in this one, though Meryl Streep will most likely take it for Florence Foster Jenkins.
It is clear the five years taken to bring this story to the screen were well worth the work.
Ten well-deserved stars for ARRIVAL. I wish it a huge success at the box office so this team will continue to make more films of this caliber.
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