In Canton, Mississippi, a fearless young lawyer and his assistant defend a black man accused of murdering two white men who raped his ten-year-old daughter, inciting violent retribution and revenge from the Ku Klux Klan.
Samuel L. Jackson
In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy. But when the errand fails, Ripley takes extreme measures.
Rudy Baylor is a young attorney out to make a difference in the justice system. He is also the only hope of an elderly couple after their corrupt insurance company refuses to payout a claim that could save their child's life. In this judicial drama, Baylor rails against corporate lawyers, corrupt judges, and abusive husbands, all with the help of a fellow lawyer who hasn't even passed his bar exam. He is facing long odds in the courtroom - and this is only his first case.Written by
Steve Richer <firstname.lastname@example.org>
Francis Ford Coppola chose Composer Elmer Bernstein for the film, for a couple of reasons. First, he wanted a score that featured a Hammond B-Organ in the style of the late jazz musician Jimmy Smith. Throughout the better part of a decade, Bernstein had featured an instrument, called the "Ondes Martinot", played by soloists Cynthia Millar or Jeanne Leoad (Heavy Metal) in many of his original scores, which had quite a similar sound to the Hammond organ. Second, he was looking to bring a dramatic depth to the story, and referenced Bernstein's classic score from To Kill A Mockingbird (1962) as an exemplar for the kind of score that he wanted. Pianist Michael Lang performed the piano and Hammond Organ solos on this score. See more »
There are multiple other continuity discrepancies during the fight. See more »
My father hated lawyers all his life. He wasn't a great guy, my old man. He drank and beat up my mother; he beat me up too. So you might think I became a lawyer just to piss him off. But you'd be wrong. I wanted to be a lawyer ever since I read about the Civil Rights lawyers in the 50s and 60s, and the amazing uses they found for the law. They did what a lot of people thought was the impossible. They gave lawyers a good name. And so I went to law school. And it did piss my father ...
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There is a credit for "Poet in Residence". See more »