The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Chaplin's last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital - When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.Written by
Colin Tinto <email@example.com>
This was the first picture on which Charles Chaplin used a shooting script. This was so uncharacteristic for him that Variety even featured an article in September 1934, just before shooting began, about how the script and the construction of sets were evidence he was "through with hit and miss sked." The article noted that increased production costs and planned location shooting at the San Pedro docks necessitated a faster pace. Predictions that the movie would be completed by the end of 1934, however, proved to be inaccurate. See more »
(at around 1h 25 mins) In the final scene of the film, when the tramp and the gamin are walking towards the camera, the sun is behind them (as seen by their shadows). When the camera angle switches, the sun is now in front of them. See more »
The opening credits on the 2003 DVD release have been digitally changed to insert a new copyright notice. The 2003 DVD release includes, in its supplementary material, a deleted scene in which Chaplin unsuccessfully tries to cross a busy street. See more »
Long after most people thought the silent movie had been buried forever, Chaplin brought his "Little Fellow" out of mothballs for one more magnificent motion picture. The Tramp is trapped in a factory, performing mind-numbing repetitive tasks, and finally he goes hilariously berserk. I started laughing the instant I saw the lady in the dress with the buttons. Like "City Lights," this film is a collection of charming vignettes, this time revolving around The Tramp's desire to settle down with gamin Paulette Goddard. From the Tramp's encounter with an assembly-line "feeding machine" to his unsuccessful stints as night watchman and waiter, this movie is packed full of delights. Chaplin never speaks, but he does sing a little. This work of genius can make you smile though your heart is breaking.
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